I get asked periodically how I got into yoga and why I linked it to singing, so here's my story....
Singing always came easily to me, but what I know now is that performing did not.
In high school, I frequently had solo parts and leads in musicals and concerts. Along with all that singing (hello, I sang Cunegonde as a JUNIOR IN HIGH SCHOOL), came nerves. Mostly, I would snap at people (usually my mom, sorry mom!), not knowing that my fear was talking. Also, I was living with a heart condition, called supraventricular tachycardia (SVT), that caused my heart to race when under physical or emotional stress. The worst that could happen was fainting which I never did, but it was impossible to be connected to my breath while my heart was racing at over 200 beats a minute and all I wanted to do was sit down and put my head between my legs. I can recall being on stage many times while I had an SVT episode. It was never pleasant.
In college, I ended up majoring in English and didn't come back to pursue using my voice for my career until I was 28. I had a procedure done to eliminate the heart condition, but it didn't entirely work. It was better, but I could still have episodes when nervous (I took a beta blocker daily to manage it, but nerves trumped all).
Once I was in graduate school I had a mental game to play because I perceived that I wasn't as good as everyone else there because my undergraduate degree wasn't in music. That perception caused me to shy away from auditioning for solos in choir and going after the parts with the gusto that I saw in my friends.
One day in the fall of 2001 a friend invited me to go to yoga with her. Quite honestly I had no other plans that night so I went.
The physical practice was fun and challenging, but I wasn't so sure I bought the more subtle stuff the teacher talked about...really, I was balancing my brain by breathing through opposite sides of my nose (yes, I now fully believe that because I've experienced it!)??? Despite that something about the practice stuck with me and I stuck with yoga, going to the class every week.
There were several a-ha moments for me as my study progressed. The first came when I needed to go to a voice lesson right after a yoga class. The memory of sitting on my couch feeling like I was a rubber band and wondering how on earth I could sing when I felt that way is still vivid in my mind. I went to that voice lesson and found that singing was easier than it had ever been. Was I a rubber band? No. Was my body relaxed in a way it had never been before? Yes.
For my final recital I used the meditation technique of visualization. Throughout school I'd avoided having solos in choir and other places because of my faulty mental perceptions, but also to avoid the stress of having my heart act up. That year I read a book on performance preparation and visualization was suggested as a way to calm nerves. So, I sat on my couch again, closed my eyes and visualized the recital...WHOA...the nerves that I would feel when I walked on stage were all there. I kept at it, making time every day for the two weeks prior to the performance to see myself going through the program flawlessly. Each time it got a little easier and I felt less nervous. When performance day came, I walked on stage, sang through the concert without a strange beat of my heart or a sense of terrifying nerves.
After I finished school, I repeated the heart procedure with success this time, but the mental elements of performance nerves were still there. However, I found that attending a yoga class during the day before a performance at night caused me to be more grounded, connected to my breath and frankly, fearless in my performing.
When I moved into teaching, I saw so many singers who struggled with balancing the demands of life and singing. Many of them were coping with vocal injuries. In an effort to help them I took additional classes in Voice Disorders and attended clinics when I could on how to teach injured voices. What I learned was that hyper-function was often an underlying cause of vocal injury and when there's tension in the voice, there's tension elsewhere in the body. Be honest, who among us couldn't stand to be a little more relaxed??
It was after 20 years of singing, 6 years of yoga study and 5 years of teaching voice that I decided to pursue yoga teacher training. I knew that I was not the only person who could derive benefit from these practices. Physical practice, breathing and meditation are holistic ways to manage nerves, balance stress and connect to your authentic voice so you sing from your heart.
Singing may come easily to you. Performing may not. Yoga can help you with that!
Showing posts with label meditation. Show all posts
Showing posts with label meditation. Show all posts
Monday, February 24, 2014
Monday, December 16, 2013
From Good to Great, What Tips the Balance?
This question of greatness has been on my mind recently. What is it that separates a great singer from a good one?
There's a high level of singing that a lot of people are doing. If you look at the classical music world, there are lots of conservatories, producing a lot of singers. If you look at the local music venues in any given area, there are a lot of different singers and bands performing 7 nights a week.
If you assume a certain amount of natural talent, a high level of training and a drive to perform, what is it that makes some people move on to greatness and others stay in the category of good?
Some of it is luck, being in the right place at the right time, knowing the right people, leveraging your network and practicing hard. But, I've come to the conclusion there is another element. One that isn't so obvious to the naked eye.
It is the ability to connect emotionally with what you are singing: the ability to sing from your heart.
For some this comes completely naturally. I love to watch these people on stage. When I see them sing it always seems that it doesn't matter if there is an audience, they simply must share what is inside them.
For many, many others, the emotional connection is elusive. It isn't the music that is the issue. Music is always emotionally driven. It is your heart center. Emotions can be big. The can be scary. If you aren't in tune with your emotions off the stage, it can be hard to tune into them when you sing.
It can take some work to get below the surface to see what is going on with your emotional center that is influencing your performing. Perhaps this is why voice lessons so often feel like therapy!
Keeping a journal, talking with a therapist and engaging in heart centered practices will all help you identify your work and move forward.
Yoga is at its core a heart centered practice. By cultivating present moment awareness you are able to ride, without judgement, the waves of emotions that occur in life. The physical practice helps to develop awareness of what is going on with your body, but it is meditation that will tune you in to your emotions and help you move through whatever your issues are so you are present to the music!
Try developing a regular meditation practice. Start small, 10 minutes a day and add time as you get comfortable with the practice. Keep it simple and just focus on your breath. Your thinking mind will engage and all you have to do is notice that you've started thinking and return to focus on your breath. The results might astound you!
There's a high level of singing that a lot of people are doing. If you look at the classical music world, there are lots of conservatories, producing a lot of singers. If you look at the local music venues in any given area, there are a lot of different singers and bands performing 7 nights a week.
If you assume a certain amount of natural talent, a high level of training and a drive to perform, what is it that makes some people move on to greatness and others stay in the category of good?
Some of it is luck, being in the right place at the right time, knowing the right people, leveraging your network and practicing hard. But, I've come to the conclusion there is another element. One that isn't so obvious to the naked eye.
It is the ability to connect emotionally with what you are singing: the ability to sing from your heart.
For some this comes completely naturally. I love to watch these people on stage. When I see them sing it always seems that it doesn't matter if there is an audience, they simply must share what is inside them.
For many, many others, the emotional connection is elusive. It isn't the music that is the issue. Music is always emotionally driven. It is your heart center. Emotions can be big. The can be scary. If you aren't in tune with your emotions off the stage, it can be hard to tune into them when you sing.
It can take some work to get below the surface to see what is going on with your emotional center that is influencing your performing. Perhaps this is why voice lessons so often feel like therapy!
Keeping a journal, talking with a therapist and engaging in heart centered practices will all help you identify your work and move forward.
Yoga is at its core a heart centered practice. By cultivating present moment awareness you are able to ride, without judgement, the waves of emotions that occur in life. The physical practice helps to develop awareness of what is going on with your body, but it is meditation that will tune you in to your emotions and help you move through whatever your issues are so you are present to the music!
Try developing a regular meditation practice. Start small, 10 minutes a day and add time as you get comfortable with the practice. Keep it simple and just focus on your breath. Your thinking mind will engage and all you have to do is notice that you've started thinking and return to focus on your breath. The results might astound you!
Sunday, November 24, 2013
Singer's Wellness: Sleep!
There is no question it can be challenging to get enough sleep in today's world. Our schedules as performers may keep us from getting to bed at a decent hour (hello, late rehearsal after working at multiple jobs all day to make ends meet). Sometimes we have things like sleep apnea that keep sleep from being high quality and many, many, many of us suffer from insomnia.
However, the importance of sleep can not be underestimated. Adequate sleep helps to regulate our endocrine system (hormones), boosts immune system function, keeps fat accumulation at bay, staves off depression and keeps our hearts healthy. We have fewer accidents and work-related injuries when we are well rested. In terms of our voices, cellular repair happens while we sleep. When you've exercised your voice, it needs time to repair itself and time to renew the layer of mucous that covers the top of the vocal cords (this layer serves, in part, as protection to the cords). Sleep is a big part of what helps that to happen.
A survey conducted by Keith Saxon and Pamela Harvey (reported in Vocal Health and Pedagogy: Advanced Assessment and Treatment, Vol. II) looked at a small sampling of singers and found that the most frequently reported problem by singers in nonperformance times is staying asleep (44% indicated this was a problem). During performance time 96% indicated they didn't get enough sleep and the most frequently experienced problem was falling asleep. This same group listed the following as the results of poor sleep:
Yoga can help! I have dealt with my fair share of trouble sleeping both in terms of staying asleep and in terms of falling asleep after a late rehearsal or performance. Here are some tips from yoga that have helped me immensely:
Yoga journal lists these poses as having a theraputic focus of dealing with insomnia. In general, forward bends will help relax you because they encourage a longer exhale and a longer exhale triggers the relaxation response (in other words it turns off the adrenaline that got you through the concert!). I would add the restorative pose of legs up the wall as one that settles the body and mind. Simply sitting or lying down and breathing consciously to extend your exhale will help too, if yoga poses aren't your thing.
The practice of Yoga Nidra, which means yogic sleep, has been enormously helpful to me. I have a recording on my ipod and iphone and if I am awake in the night, I pop in my ear buds, lie on my back in bed and turn it on. I'll be honest, if I'm really stressed out, sometimes it takes listening to it two times to get me to go back to sleep, but it is hugely helpful. There are lots of yoga nidra options out there, but the one I use is from the CD Relax into Greatness by Rod Stryker. I've been fortunate to do a few weekend intensives with him as part of my teacher training and his genius is not to be missed!
Image courtesy of David Castillo Dominici/ FreeDigitalPhotos.net
However, the importance of sleep can not be underestimated. Adequate sleep helps to regulate our endocrine system (hormones), boosts immune system function, keeps fat accumulation at bay, staves off depression and keeps our hearts healthy. We have fewer accidents and work-related injuries when we are well rested. In terms of our voices, cellular repair happens while we sleep. When you've exercised your voice, it needs time to repair itself and time to renew the layer of mucous that covers the top of the vocal cords (this layer serves, in part, as protection to the cords). Sleep is a big part of what helps that to happen.
A survey conducted by Keith Saxon and Pamela Harvey (reported in Vocal Health and Pedagogy: Advanced Assessment and Treatment, Vol. II) looked at a small sampling of singers and found that the most frequently reported problem by singers in nonperformance times is staying asleep (44% indicated this was a problem). During performance time 96% indicated they didn't get enough sleep and the most frequently experienced problem was falling asleep. This same group listed the following as the results of poor sleep:
- trouble with breath support,
- reduced vocal endurance,
- huskiness/roughness of the voice
- needed more time to warm up
Yoga can help! I have dealt with my fair share of trouble sleeping both in terms of staying asleep and in terms of falling asleep after a late rehearsal or performance. Here are some tips from yoga that have helped me immensely:
Yoga journal lists these poses as having a theraputic focus of dealing with insomnia. In general, forward bends will help relax you because they encourage a longer exhale and a longer exhale triggers the relaxation response (in other words it turns off the adrenaline that got you through the concert!). I would add the restorative pose of legs up the wall as one that settles the body and mind. Simply sitting or lying down and breathing consciously to extend your exhale will help too, if yoga poses aren't your thing.
The practice of Yoga Nidra, which means yogic sleep, has been enormously helpful to me. I have a recording on my ipod and iphone and if I am awake in the night, I pop in my ear buds, lie on my back in bed and turn it on. I'll be honest, if I'm really stressed out, sometimes it takes listening to it two times to get me to go back to sleep, but it is hugely helpful. There are lots of yoga nidra options out there, but the one I use is from the CD Relax into Greatness by Rod Stryker. I've been fortunate to do a few weekend intensives with him as part of my teacher training and his genius is not to be missed!
Tuesday, August 27, 2013
Yoga of My Own Voice
It has been a long, long time since I've taken a voice lesson. And even longer since I've performed on stage. Four years ago life called me in the direction of starting a family, moving to a new town and getting the Mindful Singer off the ground and that left no time or energy for my own singing. At first resentful of this loss, I eventually learned to embrace the impermanence of life and shifted my perspective to "it's just not my time right now". That softened the blow of not singing and helped me remember that when I was ready again it would be there for me.
The close of this summer has brought about a desire to sort out who I am as a musician in this iteration of my life; as a suburban dwelling parent of two small children with a busy life. It is driven in part by my meditation practice which has revealed the sensation of
a block in my throat. The guided meditation that I've done in August is my fall back staple meditation where energy is brought from the crown of the head, down the spine and into the heart center. In the past I worked just fine with it, but this time when I reach the cervical spine area I can't sense anything. Nor can I move anything through it. All I sense is a big, black space that is impenetrable.
I am also someone who believes firmly that to teach you must also do, so just as I engage in my own yoga practice I want to return to my own singing practice to better myself as a teacher. So, I scheduled a voice lesson with my old teacher who was kind enough to let me return after a nearly 5 year absence.
When the dust settled on the scheduling I realized there's definite apprehension in me about singing again. Is my voice gone from years of pregnancy and nursing related reflux? Is the block entirely emotional and the result of pushing my voice aside to help others the last 4 years? Am I just going to open up to my voice and spend an hour crying in her studio?
Yoga tells me those are all options and the best I can do is be present to my emotions in the moment, breathe in and out and accept whatever is. So I'm going to try that. Rather than thinking I'm going to walk in, sing, choose rep. and be off and running on a concert plan, I've identified three things I'd like to get out of my hour lesson. I'd like to get an honest assessment of my voice, a short set of exercises that I can do on a somewhat regular basis to begin to rebuild and know when I'm going back for another lesson. I could do this on my own, but I know myself well enough to know that working with someone else is a powerful motivator and something I so desperately miss.
Send good thoughts Wednesday morning as I delve back into me and see what's going on vocally!
I am also someone who believes firmly that to teach you must also do, so just as I engage in my own yoga practice I want to return to my own singing practice to better myself as a teacher. So, I scheduled a voice lesson with my old teacher who was kind enough to let me return after a nearly 5 year absence.
When the dust settled on the scheduling I realized there's definite apprehension in me about singing again. Is my voice gone from years of pregnancy and nursing related reflux? Is the block entirely emotional and the result of pushing my voice aside to help others the last 4 years? Am I just going to open up to my voice and spend an hour crying in her studio?
Yoga tells me those are all options and the best I can do is be present to my emotions in the moment, breathe in and out and accept whatever is. So I'm going to try that. Rather than thinking I'm going to walk in, sing, choose rep. and be off and running on a concert plan, I've identified three things I'd like to get out of my hour lesson. I'd like to get an honest assessment of my voice, a short set of exercises that I can do on a somewhat regular basis to begin to rebuild and know when I'm going back for another lesson. I could do this on my own, but I know myself well enough to know that working with someone else is a powerful motivator and something I so desperately miss.
Send good thoughts Wednesday morning as I delve back into me and see what's going on vocally!
Tuesday, August 20, 2013
Stilling the Lake of the Mind
When I was doing my yoga teacher training I got to do a weekend intensive with Rod Stryker. It was through his workshops that I finally found some meditations that worked for me (i.e. I did them more than just once and found I actually looked forward to meditating).
In one of them he talks about 'stilling the lake of the mind'. That image worked for me. It helped to imagine my mind as a body of water that is often full of thoughts causing rough waves. Those thoughts prevent me from really seeing or hearing my inner voice which is powerful, but quiet as opposed to my fear voice which hollers at the top of its lungs and makes all the waves to begin with.
What I learned from my meditation practice is not only that difference, but also that when my mind is quiet I can see and hear my true self. My quiet, inner voice speaks what is true in my heart and the ability to express what is in one's heart lies at the center of creativity.
I took the above picture while my family was on vacation in Maine last week. As I looked out over the lake early one morning, I was struck that the stillness of the morning water, before any boats have driven by or the winds have picked up, is exactly what a quiet mind allows. Just as I can see the entire tree reflected in the water, rather than the distorted version later in the day, I see myself clearly when my mind is still and quiet. A still mind allows me to open to creativity and discern what I want to express with my art.
How still is the lake of your mind? If you'd like to learn more about this meditation, you can visit the ParaYoga Store and scroll down to the CD "Meditations for Inner and Outer Peace" or read a description of the meditation from this blog post.
Enjoy!
In one of them he talks about 'stilling the lake of the mind'. That image worked for me. It helped to imagine my mind as a body of water that is often full of thoughts causing rough waves. Those thoughts prevent me from really seeing or hearing my inner voice which is powerful, but quiet as opposed to my fear voice which hollers at the top of its lungs and makes all the waves to begin with.
What I learned from my meditation practice is not only that difference, but also that when my mind is quiet I can see and hear my true self. My quiet, inner voice speaks what is true in my heart and the ability to express what is in one's heart lies at the center of creativity.
I took the above picture while my family was on vacation in Maine last week. As I looked out over the lake early one morning, I was struck that the stillness of the morning water, before any boats have driven by or the winds have picked up, is exactly what a quiet mind allows. Just as I can see the entire tree reflected in the water, rather than the distorted version later in the day, I see myself clearly when my mind is still and quiet. A still mind allows me to open to creativity and discern what I want to express with my art.
How still is the lake of your mind? If you'd like to learn more about this meditation, you can visit the ParaYoga Store and scroll down to the CD "Meditations for Inner and Outer Peace" or read a description of the meditation from this blog post.
Enjoy!
Tuesday, July 16, 2013
Going to the Source: Using Yoga to Calm Performance Anxiety
In part one of this series we learned about the origins of performance anxiety and what the yogic perspective is on that state of mind. We now know the roll the brain plays in putting us into the fight or flight stress mode and how if we stay there too long we will wire our brains to worry. In this post we'll look at specific yogic practices and how, when in engaged in on a regular basis, they can help alleviate nerves felt around performing.
Yoga teaches us to practice awareness of our body, our breath and our mind. When we become mindful of these elements in our yoga practice, we can be mindful off the mat as well and apply them to our practice and performance. I define mindfulness as the act of maintaining a moment-by-moment awareness of our thoughts, feelings and physical sensations. It also involves acceptance, meaning we pay attention to our thoughts and feelings without judging them. When we practice mindfulness, our thoughts tune into what we’re sensing in the present moment rather than rehashing the past or imagining the future. Yoga also encourages us to connect; with ourselves, our audience and our fellow performers. If you are a spiritual person you can also work to build a connection to God or the greater Universe. Remember that we all fundamentally want the same things in life and very likely we are more alike than we are different. It can also be useful to remind yourself that people attend concerts to see you succeed, no one goes to watch you fail!
The first step in dealing with performance anxiety is becoming aware of it. Perhaps you've known for a while that you get nervous when you have to perform but you've never sat down and really looked at when those nerves hit or where you feel them in your body when they are happening. If you have a performance coming up commit to being mindful in that experience. Just observe yourself without judgement. Try saying to yourself 'how interesting I'm _____' (fill in the blank with whatever you notice yourself doing or feeling around that event). (N.B. This is a practice you can use anywhere - in teaching, working etc. I use it frequently when I get frustrated with my children as a way of becoming more mindful of what sets me off and how I can spend less time annoyed with them!)
This is a step that may come easily to you or it may take you a while. I believe we can not effect change until we fully understand the behavior we are engaging in. Become friends with yourself and really delve into what is going on. You may find it helpful to document the feelings in writing and keep a journal.
Assuming you master this phase and you know what is going on and what triggers you have, you can engage in breathing, meditation and physical practices to help modify your stress reaction.
Asana Practice:
Yoga teaches us to practice awareness of our body, our breath and our mind. When we become mindful of these elements in our yoga practice, we can be mindful off the mat as well and apply them to our practice and performance. I define mindfulness as the act of maintaining a moment-by-moment awareness of our thoughts, feelings and physical sensations. It also involves acceptance, meaning we pay attention to our thoughts and feelings without judging them. When we practice mindfulness, our thoughts tune into what we’re sensing in the present moment rather than rehashing the past or imagining the future. Yoga also encourages us to connect; with ourselves, our audience and our fellow performers. If you are a spiritual person you can also work to build a connection to God or the greater Universe. Remember that we all fundamentally want the same things in life and very likely we are more alike than we are different. It can also be useful to remind yourself that people attend concerts to see you succeed, no one goes to watch you fail!
The first step in dealing with performance anxiety is becoming aware of it. Perhaps you've known for a while that you get nervous when you have to perform but you've never sat down and really looked at when those nerves hit or where you feel them in your body when they are happening. If you have a performance coming up commit to being mindful in that experience. Just observe yourself without judgement. Try saying to yourself 'how interesting I'm _____' (fill in the blank with whatever you notice yourself doing or feeling around that event). (N.B. This is a practice you can use anywhere - in teaching, working etc. I use it frequently when I get frustrated with my children as a way of becoming more mindful of what sets me off and how I can spend less time annoyed with them!)
This is a step that may come easily to you or it may take you a while. I believe we can not effect change until we fully understand the behavior we are engaging in. Become friends with yourself and really delve into what is going on. You may find it helpful to document the feelings in writing and keep a journal.
Assuming you master this phase and you know what is going on and what triggers you have, you can engage in breathing, meditation and physical practices to help modify your stress reaction.
Breathing: It might seem sort of strange to tell a singer they need to pay attention to their breath as it is easy to presume you already know more about the breath than the average person, but I would challenge that there is still more everyone can learn and the way yoga encourages you to look at your breathing is very different than how a voice teacher might teach breathing. Often
there is an emphasis in singing lessons on inhaling, or the intake, of breath. How
we exhale is equally as important!
Breath
Awareness/Ratio: Lie on your back in constructive
rest (knees bent, feet flat on the floor). Rest your hands half on your belly and half on your ribcage. Allow
your eyes to fall closed. Breathe through your nose and notice the motion in
your belly and ribcage as you inhale and exhale. After a few rounds, begin to
count the length of your inhale. Keep your pace of counting consistent. After a
few rounds, count the length of your exhale, again keeping the pace o f your
count consistent. What is your ratio? Are your inhale and exhale equal or is
one longer than the other. What we want to avoid (both in life and in singing)
is an inhale that is longer than the exhale. To promote relaxation, we want an
exhale that is longer than the inhale. You can also add a sigh to the exhale as
a way of promoting relaxation.
Complete Yoga Breath –Dirgha Breath
The complete yoga breath is a
foundational breath practice. Mastering it means you have developed an
awareness and freedom of your breathing which will enable other breath
practices and also your singing! Begin by practicing it on your back and then
try it in a sitting position. Lie on your back in constructive rest, or, if you’ve
mastered the breath lying down, sit in a comfortable cross-legged position (sukasana). Place your hands on your belly. Breathe in
and feel the belly rise on inhale and fall on exhale. Do this for a few cycles.
Then, move your hands to your ribcage. Inhale and feel the belly expand and
then feel the breath cause the ribcage to expand on inhale and retreat on
exhale. Do this for a few cycles. The third part is to feel the breath move
into the area under the collarbones. Breathe in, feel the belly and ribs fill and then a
slight rise of the collarbones as breath enters the upper lung tissue. This
final step is subtle and small. Be sure not to confuse this with the optimal breath
for singing – this is about finding freedom in the muscles involved with
inhalation in exhalation such that your diaphragm can descend enough to allow
for a deep inhalation and your ribs expand to accommodate your filling lungs. If you feel light headed while doing this, back off
from the practice and lie with your legs up the wall or on a chair for a few
minutes while breathing normally.
Asana Practice:
Specific
poses are also beneficial for reducing anxiety. While regular asana practice will help
you long term, you can also identify what your energy levels are like the day
of a performance and tailor your practice. If you are low energy, you can do a
practice that will raise your energy to help you. If you have a lot of nervous
energy and practice that burns some of that off to help you focus will be
beneficial. When you engage in your asana practice, try to use the complete yoga breath as your guide. When your breathing strays from being easily full, you are working too hard in a pose and should back off.
Poses
that help alleviate anxiety by helping to calm the mind and open the heart
center include:
Meditation: Meditation
is another useful tool for singers to alleviate anxiety. By training the mind to be present, we can
be more open to our performances. To sing our truth we need to be sure that our
hearts and our heads are in agreement. This meditation is meant to unite the
two so you have a calm mind, connected breath and can sing from your heart.
Meditation can cause emotions to arise, so don’t try to hold things back, just
let go and experience whatever comes your way. This meditation is a great place
to start to begin to build an awareness of how busy your mind can be.
Counting Meditation –
Sit in a comfortable
cross-legged position, or sit in a chair with your feet flat on the ground.
Allow your eyes to fall closed so your attention turns inward. Take a few
breaths to settle in. Begin counting silently in your head:
1 on inhale. 1 on exhale
1 on inhale. 1 on exhale
2 on inhale. 2 on exhale
3 on inhale. 3 on
exhale….continue up to 10
*When you are counting, your
thinking mind is apt to engage. When you notice that you are thinking, start
back at 1 on inhale and go again towards 10.
* If you make it to 10, start
back at 1 and go through the steps again.
*Remember that the goal isn’t
to get to 10, the goal is to become aware of your thoughts.
* If you become comfortable with this meditation, you can move away from counting and instead choose a phrase, a mantra to repeat silently on inhale and exhale - perhaps you need more focus, or patience or persistance. Use whatever word or set of words speaks to you.
Begin with a short, 5 minute
practice and add minutes on as you feel ready. Setting a timer can be very
helpful and can keep you from watching the clock when you are supposed to be
meditating!
Visualization Meditation –
Nearly every performer gets
nervous before going on stage. As performers we want to turn this nervous
energy into positive energy that propels our performance to be even better. One
way to do this is to practice visualization. In yogic thought, anxiety stems
from a sense of being disconnected and having a limited vision of ourselves. If
you create a ‘me vs. them’ situation with your audience, you are disconnected
from them. But, if you can believe that you are all a part of the same world,
want the same things and they are there to receive the gifts you offer through
your singing, you build a sense of connection.
If you have a concert coming
up, I recommend starting two weeks before the date of performance (if you are someone with a very high level of anxiety, add more time, perhaps start four weeks in advance). Set aside
time every day to visualize going through the concert flawlessly.
Find a comfortable seated
position – can be in a chair, on the floor or the couch.
Orient your mind towards your
performance and take 3 breaths to center yourself.
Envision yourself backstage
where you will perform – be specific about what you will wear, who is there
with you etc.
Imagine yourself walking on
stage to stand wherever you will begin your performance. You fill the room with
your presence, knowing the audience has come to see you succeed. Through your
singing, you will connect with them, sharing your artistry.
Imagine yourself taking
whatever position you will take and bowing your head to prepare to perform.
Pick your head up and imagine yourself singing through your program flawlessly.
This has ended up being a long post, but I hope you've made it this far!
Once you try some of these practices on the mat, there are some off the mat exercises you can do too.
1. Think of three times during your day that you can be mindful. When you reach those moments in your day, stop and observe your thoughts and what you are feeling.
2. When you listen to someone else perform, think first of three things you liked about their performance.
3. When you practice, focus on only one element at a time - rhythm, text, sound quality etc.
4. Try re-framing an experience you perceive as negative to cast it in a positive light.
5. Build time into your day to do nothing - turn the tv off, put away your smart phone and just sit in silence.
Good luck! If you would like to have some help talking through the elements of performance that cause you anxiety and develop a strategy for how to shift your anxiety into positive energy to propel your performance, please contact me.
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